Series in which Laurence Llewelyn-Bowen tells the story of dandyism and male peacockery through the ages
Lord Byron, unwitting author of Romantic dress, famously sat for a portrait in the costume of an Albanian nobleman. Laurence robes up similarly to commune with the poet.
DetailsLaurence Llewelyn-Bowen tells the story of dandyism and male peacockery through the ages. What was the dandy style and why did the men of St James's do it so very well?
DetailsLaurence visits Bath, the setting for the 18th-century revolution in men's clothing where Beau Nash's Rules open society to men who are well dressed, not just well born.
DetailsIn a small screening theatre, Laurence and fashion journalist Bronwyn Cosgrave celebrate the stars and the movies that have redefined mens' fashion, from Clark Gable to Mad Men.
DetailsThe restoration of Charles II seems to signal a return to the old sartorial order, and the court begins to lose its grip on men's fashion.
DetailsLaurence Llewelyn-Bowen tells the story of dandyism and male peacockery through the ages. For Henry, clothes were the embodiment of nation.
DetailsWhy did Victorian men dress as if attending a funeral? Men in black embodied power and serious purpose yet also democratised fashion forever.
DetailsMilitary uniform was not always about camouflage, it provided men with some of the most vibrant, flattering clothing available.
DetailsThe Prince of Wales set trends both on and off the golf course, and men have been moving towards increasing informality ever since.
DetailsIn the 1950s, working-class men set the fashion agenda for the first time when Teddy Boys aped and subverted the styles of their social superiors with the New Edwardian look.
DetailsIn women's fashion the hemline acts as a social barometer; Laurence finds out what men's fashion says about the state we are in.
DetailsThe story of how fashion and music formed an insoluble partnership, from the influence of Elvis Presley to the pretty hippies and the punks of the King's Road. With Malcolm McLaren.
DetailsFirst the New Romantics, then the arrival of big hair, big shoulders, big salaries and big hangovers. How did fashion in the 1980s reflect the greedy consumerism of the times?
DetailsMen's clothing at the court of Charles I, sumptuously portrayed in the paintings of van Dyck, radiated confidence. Yet also written in the clothes were all the tensions of the age.
DetailsLaurence Llewelyn-Bowen tells the story of dandyism and male peacockery through the ages. By the 19th century, tartan and the kilt had gained cult status.
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